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Arthur Panov
Arthur Panov

Tone2 BiFilter 2.3: 47 Filter Types, 8 Distortion Types, and More


Tone2 BiFilter 2.3: A Powerful Multi-Effect Filter Plugin




If you are looking for a versatile and high-quality filter plugin for your music production, you might want to check out Tone2 BiFilter 2.3.




Tone2 BiFilter 2.3



Tone2 BiFilter 2.3 is not only a filter module, but also a powerful multi-effect tool that drastically extends the filter plugin concept.


With Tone2 BiFilter 2.3, you can choose from 47 different sounding filter types, combine them with 8 warm sounding distortion types, and modulate them with various effects such as FM, AM, wave-shaping, bit-crushing, re-sampling, comb-filtering, vocal-filtering, equalizing, reverbaration.


You can also see the frequency response of the filter in a high precision display, and tweak the sound with 100 presets included in the plugin.


In this article, we will explore what Tone2 BiFilter 2.3 can do for your music production, how to use it, and some tips and tricks for getting the most out of it.


Why You Need a Filter Plugin for Your Music Production




A filter plugin is a software effect that allows you to alter the frequency spectrum of an audio signal. By cutting or boosting certain frequencies, you can shape the sound and create new effects.


For example, you can use a low-pass filter to remove the high frequencies and make the sound warmer or darker. You can use a high-pass filter to remove the low frequencies and make the sound thinner or brighter. You can use a band-pass filter to isolate a certain frequency range and make the sound more focused or resonant. You can use a notch filter to cut out a narrow frequency band and create a phasing or flanging effect.


A filter plugin is essential for any music producer, as it can help you to:


  • Enhance your mix by balancing the frequency spectrum of each track



  • Add movement and modulation to your sounds by automating the filter cutoff or resonance



  • Create transitions and build-ups by sweeping the filter across the frequency spectrum



  • Add character and warmth to your sounds by applying distortion or saturation to the filter output



  • Create new sounds and effects by combining different filter types and modulations



There are many filter plugins available on the market, but not all of them are created equal. Some of them are simple and basic, while others are complex and advanced. Some of them are clean and transparent, while others are dirty and colorful. Some of them are static and fixed, while others are dynamic and flexible.


Tone2 BiFilter 2.3 is one of the most powerful and versatile filter plugins you can find. It offers you a wide range of filter types, distortion types, modulation types, display options, and presets that will take your sound design to the next level.


How to Use Tone2 BiFilter 2.3




Tone2 BiFilter 2.3 is easy to use and intuitive. It has a simple interface that consists of four main sections: Filter Types, Distortion Types, Modulation Types, and Display and Presets.


Filter Types




The first section is where you can choose from 47 different sounding filter types. These include:


  • Low-pass filters: These filters cut off the high frequencies above a certain point (the cutoff frequency). They can be used to make the sound warmer or darker. Tone2 BiFilter 2.3 offers 12 different low-pass filters with different slopes (6dB, 12dB, 18dB, 24dB, 36dB, 48dB) and characteristics (analog, digital, Moog, TB-303).



  • High-pass filters: These filters cut off the low frequencies below a certain point (the cutoff frequency). They can be used to make the sound thinner or brighter. Tone2 BiFilter 2.3 offers 12 different high-pass filters with different slopes (6dB, 12dB, 18dB, 24dB, 36dB, 48dB) and characteristics (analog, digital, Moog).



  • Band-pass filters: These filters cut off both the low and high frequencies outside a certain range (the bandwidth). They can be used to make the sound more focused or resonant. Tone2 BiFilter 2.3 offers 8 different band-pass filters with different slopes (6dB, 12dB, 18dB, 24dB) and characteristics (analog, digital).



  • Notch filters: These filters cut out a narrow frequency band around a certain point (the center frequency). They can be used to create a phasing or flanging effect. Tone2 BiFilter 2.3 offers 4 different notch filters with different slopes (6dB, 12dB) and characteristics (analog, digital).



  • Other filters: These filters have special shapes or functions that create unique effects. Tone2 BiFilter 2.3 offers 11 other filters such as peak filters, shelf filters, all-pass filters, comb filters, formant filters, ring modulator filters, fractal filters, scream filters, crusher filters, and moog filters.



To select a filter type, you can use the drop-down menu or the left and right arrows. You can also use the mouse wheel to scroll through the filter types. You can see the name and shape of the filter type in the display section.


Each filter type has two parameters: cutoff and resonance. The cutoff parameter determines the frequency point where the filter starts to affect the signal. The resonance parameter determines how much the filter boosts or attenuates the signal around the cutoff frequency. You can adjust these parameters by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values. You can see the effect of these parameters on the frequency response in the display section.


Distortion Types




The second section is where you can choose from 8 different warm sounding distortion types. These include:


  • Tube: This distortion type emulates the sound of a tube amplifier. It adds warmth and harmonics to the signal, making it richer and fatter.



  • Transistor: This distortion type emulates the sound of a transistor amplifier. It adds crunch and bite to the signal, making it sharper and edgier.



  • Hardclip: This distortion type clips the signal above a certain level, creating a harsh and distorted sound.



  • Softclip: This distortion type clips the signal above a certain level, but in a smoother way, creating a softer and more rounded sound.



  • Saturation: This distortion type saturates the signal, adding subtle distortion and compression, making it louder and more consistent.



  • Overdrive: This distortion type overdrives the signal, adding moderate distortion and dynamics, making it more aggressive and punchy.



  • Fuzz: This distortion type fuzzes the signal, adding extreme distortion and noise, making it more chaotic and dirty.



  • Bitcrush: This distortion type reduces the bit depth and sample rate of the signal, creating a lo-fi and digital sound.



To select a distortion type, you can use the drop-down menu or the left and right arrows. You can also use the mouse wheel to scroll through the distortion types. You can see the name and shape of the distortion type in the display section.


Each distortion type has two parameters: drive and tone. The drive parameter determines how much distortion is applied to the signal. The tone parameter determines how much high frequencies are boosted or cut by the distortion. You can adjust these parameters by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values. You can see the effect of these parameters on the frequency response in the display section.


Modulation Types




The third section is where you can choose from various modulation types that can modulate the filter cutoff, resonance, or distortion drive. These include:


  • FM: This modulation type modulates the filter cutoff with a sine wave, creating a frequency modulation effect. You can adjust the frequency and depth of the modulation by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values.



  • AM: This modulation type modulates the filter resonance with a sine wave, creating an amplitude modulation effect. You can adjust the frequency and depth of the modulation by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values.



  • Waveshape: This modulation type modulates the distortion drive with a sine wave, creating a wave-shaping effect. You can adjust the frequency and depth of the modulation by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values.



  • Bitcrush: This modulation type modulates the filter cutoff with a random signal, creating a bit-crushing effect. You can adjust the rate and depth of the modulation by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values.



  • Resample: This modulation type modulates the filter resonance with a random signal, creating a re-sampling effect. You can adjust the rate and depth of the modulation by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values.



  • Comb: This modulation type modulates the filter cutoff with a comb filter, creating a comb-filtering effect. You can adjust the frequency and feedback of the modulation by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values.



  • Vocal: This modulation type modulates the filter resonance with a vocal formant filter, creating a vocal-filtering effect. You can adjust the vowel and depth of the modulation by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values.



  • EQ: This modulation type modulates the filter cutoff with an equalizer, creating an equalizing effect. You can adjust the frequency and gain of the modulation by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values.



  • Reverb: This modulation type modulates the filter resonance with a reverb, creating a reverbaration effect. You can adjust the size and decay of the modulation by dragging the knobs or entering the values in the boxes. You can also use the mouse wheel to change the values.



To select a modulation type, you can use the drop-down menu or click on the buttons. You can also use the mouse wheel to scroll through the modulation types. You can see the name and shape of the modulation type in the display section.


You can also enable or disable each modulation type by clicking on the on/off switch. You can see if a modulation type is active or not by looking at the color of the button (green for on, red for off).


Display and Presets




The fourth section is where you can see the frequency response of the filter and distortion in a high precision display. You can also access 100 presets that are included in the plugin.


The display shows you the input signal (blue), the output signal (red), and the filter curve (green). You can zoom in or out by dragging the mouse or using the mouse wheel. You can also switch between linear and logarithmic scales by clicking on the buttons.


The presets are organized into categories such as bass, lead, pad, drum, vocal, and FX. You can select a preset by using the drop-down menu or the left and right arrows. You can also use the mouse wheel to scroll through the presets. You can see the name of the preset in the display section.


You can also save your own presets by clicking on the save button. You can load your own presets by clicking on the load button. You can delete your own presets by clicking on the delete button.


Tips and Tricks for Using Tone2 BiFilter 2.3




Now that you know how to use Tone2 BiFilter 2.3, let's look at some tips and tricks for using it in different genres and situations.


Bass Sounds




Bass sounds are one of the most important elements of any music production. They provide the foundation and groove of your track. With Tone2 BiFilter 2.3, you can enhance your bass sounds with low-pass filters, distortion, and modulation.


Here are some examples of how to use Tone2 BiFilter 2.3 for bass sounds:


  • If you want to make your bass sound warmer and fatter, you can use a low-pass filter with a high resonance and a tube distortion. This will cut off the high frequencies and add some harmonics to your bass sound.



  • If you want to make your bass sound sharper and edgier, you can use a low-pass filter with a low resonance and a transistor distortion. This will cut off some of the high frequencies and add some crunch to your bass sound.



  • If you want to make your bass sound more dynamic and aggressive, you can use a low-pass filter with a high resonance and a waveshape modulation. This will create a frequency modulation effect that will vary the cutoff frequency according to the input signal.



You can also experiment with different filter types, distortion types, and modulation types to create your own bass sounds.


Lead Sounds




Lead sounds are another important element of any music production. They provide the melody and the hook of your track. With Tone2 BiFilter 2.3, you can create dynamic lead sounds with band-pass filters, waveshaping, and FM.


Here are some examples of how to use Tone2 BiFilter 2.3 for lead sounds:


  • If you want to make your lead sound more focused and resonant, you can use a band-pass filter with a high resonance and a softclip distortion. This will isolate a certain frequency range and add some soft distortion to your lead sound.



  • If you want to make your lead sound more expressive and varied, you can use a band-pass filter with a low resonance and a waveshape modulation. This will create a wave-shaping effect that will change the shape of the waveform according to the input signal.



  • If you want to make your lead sound more metallic and futuristic, you can use a band-pass filter with a high resonance and an FM modulation. This will create a frequency modulation effect that will modulate the cutoff frequency with a sine wave.



You can also experiment with different filter types, distortion types, and modulation types to create your own lead sounds.


Pad Sounds




Pad sounds are another important element of any music production. They provide the atmosphere and texture of your track. With Tone2 BiFilter 2.3, you can create lush pad sounds with high-pass filters, reverb, and AM.


Here are some examples of how to use Tone2 BiFilter 2.3 for pad sounds:


  • If you want to make your pad sound thinner and brighter, you can use a high-pass filter with a low resonance and a saturation distortion. This will cut off some of the low frequencies and add some subtle distortion to your pad sound.



  • If you want to make your pad sound more spacious and ambient, you can use a high-pass filter with a high resonance and a reverb modulation. This will create a reverbaration effect that will add some depth and width to your pad sound.



  • If you want to make your pad sound more organic and evolving, you can use a high-pass filter with a low resonance and an AM modulation. This will create an amplitude modulation effect that will modulate the resonance with a sine wave.



You can also experiment with different filter types, distortion types, and modulation types to create your own pad sounds.


Drum Sounds




Drum sounds are another important element of any music production. They provide the rhythm and energy of your track. With Tone2 BiFilter 2.3, you can spice up your drum sounds with notch filters, bit-crushing, and comb-filtering.


Here are some examples of how to use Tone2 BiFilter 2.3 for drum sounds:


  • If you want to make your drum sound more phasing or flanging, you can use a notch filter with a high resonance and a hardclip distortion. This will cut out a narrow frequency band and add some harsh distortion to your drum sound.



  • If you want to make your drum sound more lo-fi or digital, you can use a notch filter with a low resonance and a bitcrush modulation. This will create a bit-crushing effect that will reduce the bit depth and sample rate of your drum sound.



  • If you want to make your drum sound more metallic or robotic, you can use a notch filter with a high resonance and a comb modulation. This will create a comb-filtering effect that will add some delay and feedback to your drum sound.



You can also experiment with different filter types, distortion types, and modulation types to create your own drum sounds.


Vocal Sounds




Vocal sounds are another important element of any music production. They provide the voice and emotion of your track. With Tone2 BiFilter 2.3, you can transform your vocal sounds with vocal formant filters, equalizing, and vocal-filtering.


Here are some examples of how to use Tone2 BiFilter 2.3 for vocal sounds:


  • If you want to make your vocal sound more human or natural, you can use a vocal formant filter with a low resonance and no distortion. This will emulate the shape of the human vocal tract and add some formants to your vocal sound.



  • If you want to make your vocal sound more balanced or clear, you can use an equalizer modulation with no resonance and no distortion. This will create an equalizing effect that will adjust the frequency spectrum of your vocal sound.



  • If you want to make your vocal sound more synthetic or robotic, you can use a vocal filter modulation with a high resonance and no distortion. This will create a vocal-filtering effect that will modulate the filter resonance with a vocal formant filter.



You can also experiment with different filter types, distortion types, and modulation types to create your own vocal sounds.


Conclusion




Tone2 BiFilter 2.3 is a powerful multi-effect filter plugin that can enhance your music production with its 47 different sounding filter types, 8 warm sounding distortion types, and various modulation types.


With Tone2 BiFilter 2.3, you can shape your sound and create new effects with ease and flexibility. You can also see the frequency response of the filter and distortion in a high precision display, and access 100 presets that are included in the plugin.


Tone2 BiFilter 2.3 is compatible with Windows and Mac OS X, and supports VST, AU, and RTAS formats. You can download a free demo version or buy the full version from the official website: [Tone2 BiFilter].


If you are looking for a versatile and high-quality filter plugin for your music production, you should definitely try out Tone2 BiFilter 2.3. It will take your sound design to the next level.


FAQs




Here are some frequently asked questions about Tone2 BiFilter 2.3:


  • Q: How much does Tone2 BiFilter 2.3 cost?A: Tone2 BiFilter 2.3 costs $39 USD.



  • Q: What are the system requirements for Tone2 BiFilter 2.3?A: Tone2 BiFilter 2.3 requires a PC with Windows XP/Vista/7/8/10 or a Mac with OS X 10.4 or higher. It also requires a VST, AU, or RTAS compatible host software.



  • Q: How can I get support for Tone2 BiFilter 2.3?A: You can get support for Tone2 BiFilter 2.3 by contacting the developer via email: [support@tone2.com].



  • Q: How can I learn more about Tone2 BiFilter 2.3?A: You can learn more about Tone2 BiFilter 2.3 by visiting the official website: [Tone2 BiFilter]. You can also watch some video tutorials on YouTube: [Tone2 BiFilter Tutorials].



Q: How can I get more presets for Tone2 BiFilter 2.3?A: You can get more presets for Tone2 BiFilter 2.3 by downloading them from the off


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